Best of Bayreuth: Highlights from Three Decades

Parsifal (WWV 111) is a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is freely based on the 13th-century Middle High German chivalric romance Parzival of the Minnesänger Wolfram von Eschenbach and the Old French chivalric romance Perceval ou le Conte du Graal by the 12th-century trouvère Chrétien de Troyes, recounting different accounts of the story of the Arthurian knight Parzival (Percival) and his spiritual quest for the Holy Grail. Wagner conceived the work in April 1857 but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his newly built Bayreuth Festspielhaus, and Parsifal was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on Parsifal productions until 1914; however the opera was performed at the Metropolitan Opera in New York in 1903 after a US court ruled that it was legal. Wagner described Parsifal not as an opera, but as Ein Bühnenweihfestspiel (a sacred festival stage play). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first act. The autograph manuscript of the work is preserved in the Richard Wagner Foundation.