

Sense and Sensibility
"Lose your heart and come to your senses."
Revenue
$134,582,776
Budget
$16,000,000
Where to Watch
Stream in high quality

Global Revenue
$134,582,776
Detailed Plot
Trailer
Production Stills & Gallery






User Reviews
The briefest of cameos from Tim Wilkinson informs us that due to inheritance rules, the second âMrs. Dashwoodâ (Gemma Jones) and her daughters are going to be at the mercy of his son upon his demise. That fellow (James Fleet) is actually quite a kindly soul, but his rather more mercenary wife âFannyâ (Harriet Walter) reckons they can be left to get by with just their annuity of ÂŁ500. With daughters âElinorâ (Emma Thompson); âMarianneâ (Kate Winslet) and âMargaretâ (Emilie François) to keep, thatâs going to be quite a task. Luckily, widower distant cousin âSir Johnâ (Robert Hardy) and his lively mother-in-law (Elizabeth Spriggs) invite them to lodge in a well-appointed cottage on their estate. Thatâs where the family settle and each of the girls gradually becomes embroiled in romance. For âElinorâ itâs the dashing but shy âFerrarsâ (Hugh Grant) who takes her fancy. Talking of dashing, thereâs also the charming âCol. Brandonâ (Alan Rickman) who is keen on young âMarianneâ - but her attentions are divided between him and the handsome doctor âWilloughbyâ (Greg Wise). Meantime, whilst all this courting and counter-courting is going on, the young âMargaretâ is totally besotted on âFerrarsâ too! I usually found Jane Austen stories tended to follow a fairly predictable pattern, but the potpourri of characters here are aided by some really quite witty dialogue and some glorious scenery and build together engagingly. Thereâs an amiable degree of charm, haplessness and political incorrectness on display too as the writer takes quite a swipe at the ridiculousness of so many aspects of life for and amidst the landed gentry and itâs middle class associates. The headline roles all deliver well enough, but itâs maybe the engaging dynamic between Hardy and Spriggs that raises most smiles for me. The costumiers and designers have crafted a classy looking production and the screen adaptation does wonders for a time when the mantra was definitely more âwhy use one word when you can use tenâ.



























