

Soul Kitchen
"Life is what happens when you're busy making other plans."
Revenue
$18,164,139
Budget
$4,000,000
Where to Watch
Stream in high quality


Global Revenue
$18,164,139
Detailed Plot
Trailer
Production Stills & Gallery






User Reviews
âZinosâ (Adam Bousdoukos) runs his Greek equivalent of a greasy spoon in Hamburg, doing OK until his girlfriend âNadineâ (Pheline Roggen) takes a job in China which brings things in his life into a sharper focus. First things first, he canât cook. Add to that he has an herniated disc in his back and needs surgery that he canât really afford; his wayward brother âIlliasâ (Moritz Bleibtreu) is in and out (on a daily basis) of prison; the tax man is after him and there is a local businessman (Udo Kier) who wants the site for himself. Bluntly, âZinosâ is at his wits end so he advertises for a cook. Instead, he gets interest from âWeissâ (Birol Ănel) who is rather more of a chef and determines to up the standard of the menu. That doesnât go down so well with the punters, but it does help him reach out to new, better-heeled, ones and soon the business is proving to be quite a success. Thing is, though, he is pining for his gal and so rather foolishly gives a power of attorney to his brother and decides to head to Shanghai. Needless to say, âIlliasâ proves to be anything but a safe pair of hands and so now thereâs a real risk that our hapless restauranteur could end up with little more than the clothes he stands up in. Aside from a really engaging effort from Bousdoukos, this benefits from a surprising lack of in-your-face predictability. Of course, we know that his successful plain sailing canât go on for long - thereâd be no plot, but the quirky fashion in which his problems are crafted and then played out does raise a smile quite often. Partly because it is funny, but also because some of the scenarios are relatable too. Ănel is also on good form as the typically curmudgeonly kitchen perfectionist, Bleibtreu presents us with a sibling that any one of us would have happily disowned at birth and Kier only has to look at the camera to imbue his character with a degree of tea-time menace. Itâs a quickly paced comedy that builds well around a couple of more substantial characterisations, some bumpy romance and just an hint of living life to the full (or fool) and it makes for an enjoyable ninety minutes.











